#and it's unavoidable

[roarshackle]

He's so fun to draw cause u can just make him look like a menace with ur pets

[suddenly-frankenstein]

uhmhmhmmm just occasional thoughts about Daniel's interaction with Marius

[kinz2007]

Them: simplify packing for the trip by only taking things that are necessary

Me: say no more

[pepijopa]

I try to pretend redemptions in reach | prints

[electrozeistyking]

"She's Gone"

This bad boy was started on the third of November, and finished on the seventh. In total, there are thirty panels (all of which were drawn separately).

A good chunk of N's dialogue near the end came to me after I did some improv to figure out what he should say. I have since dubbed it "N's Failure Monologue."

[kathaynesart]

A sketch of Replica Leo immediately after his EPF Interview in this scene, but before being reunited with his brothers here. I hope to dive more into the fallout of such a defining moment in Leo's young life and how it would go on to affect him once I get my Patreon up. In the meantime. Enjoy the little angsty sneak peek.

[pidgydraws]

🥂 focus 🥂

[doverstar]

can't express accurately how happy it makes me that c.s. lewis did not leave room for many interpretations in narnia. it's christian and you can't get around it. susan chose to care more about worldly things than what matters and he said what he said. the lion is Jesus. evil is evil and good is good and people have to choose. and that makes some readers angry because it's nearly impossible to ignore and they want to ignore it. they want it to be something else and they can't make it something else without making it not narnia. love that. that is doing it right

[minas-linkverse]

Would you rather fight a bunch of duck-sized horses or one horse sized duck?

[fernsnailz]

sorry these kinds of comments have been really pissing me off recently lol

[icantdothistodaybruh]

Happy New Year⭐

[canisalbus]

Well, after some several hours i finally finished this. I used the "Kermes" art as a reference. Im doing another, but that im wanting to change thr colors. The sun was something that i wanted to draw because of your arts that has some red background. dunno why, but my first idea was drawing machete with Dante's clothes or Vergil.... i hope you liked it :)

.

[dykesynthezoid]

I honestly don’t mind that Armand was older in the show when he was turned bc it feels so tragically Antinous to me. Being in that age of passing from youth to true adulthood implies all sort of interesting things. If you’re someone for whom youth was fetishized, what is supposed to become of you once you grow beyond it? He can no longer be his maker’s beloved boy. Armand, in the headspace he was in, probably felt a kind of panic— That Marius’s hesitance to turn him would only result in him aging to the point Marius no longer wanted him to begin with. And this aging came without any of the actual benefits of adulthood— he’s enslaved, and then he’s also ill and infirm. There’s no autonomy, no authority, no agency that’s supposed to come with manhood. There’s only the no-longer-quite-boy, the not-thing. From object of desire to waste. Never the subject. Never the desirer.

[chibigaia-art]

going through the old nortpheus doodle file to clean up stuff

[alchemisticramblings]

he's so androgynous it's like if a man and a woman had a baby

[mirabritart]

mp100 age swap au comic as part of my contractual obligation to @jascurka. I actually thought of this joke ages ago but needed an excuse to make this. My only regret is that I couldn't work in the phrase "Mob-omobile"

comic script under the cut!

panel 1

[Adult Mob in a dark gray suit and dark blue tie walks side-by-side with young Reigen, who wears a middle school uniform]

Reigen: It would be like a mobile office. We could keep salt and other supplies in the trunk. And it would look super

Mob: [cutting him off] We're not getting a company car

panel 2

[Reigen looking pout-y]

panel 3

Reigen: Well why not!

panel 4

[panel shows Reigen's text bubble slightly obscured by Mob holding a neutral expression]

Reigen: We did that job for Ms. Asagiri and I know she's rich because I saw her house. I don't know what you do with all the money we make because it's definitely not going into my paycheck and I know you don't have a girlfriend.

panel 5

Mob: [slightly smiling] I suppose I could make some room in the budget.

panel 6

Reigen: [bouncing up and down with excitement] REALLY?

panel 7

[panel shows Mob's speech bubble over Reigen looking crestfallen]

Mob: I'd just need to stop buying snacks for the office. And we'd have to stop going out to eat.

panel 8

[panel shows Mob and Reigen side by side again. Reigen is smiling with his eyes closed and talking with his hands while Mob looks on with a soft smile]

Reigen: Y'know I actually don't mind the train! Plus cars require a lot of expensive upkeep, and the gas is terrible for the enviroment.